01: Already Know

"la tasse ou sans titre" by psv on Flickr

This is number 1 of a series of 11 articles, each one based on a song from This Is Not An Album.

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Old is the new new.

Deep down you love what you already know. However much people seek out new experiences, new people, and new places, they are still searching within a set defined by their previous experiences and relationships. A novel experience is exciting and interesting when there’s a part of it that you recognise and a part that has changed.

I find the same listening to new music. It’s very difficult to get into something new until it’s become a little familiar. That’s why I don’t often get excited about a new album until the second or third listen. Once my brain starts to fire off the happy sparks of recognition, I start to get excited by the stuff that I haven’t heard before. Of course, if an album sounds like one I already know it’s easy. I’ll always like a new Little Feat album.

Writing the song

In the summer I was visiting Greg, a friend who had moved from Oxford to Manchester and been living there for a couple of years. As I waited for him on the benches in front of the train station, I was thinking about how the first thing you do when you move to a new place is find the places that feel like home. When I lived in London I found a local pub that was exactly like the pubs in Oxford I knew so well.

I scribbled down a couple of verse ideas and spent the afternoon with Greg. He showed me his favourite places in Manchester, and I instantly liked them too. They were almost exactly like the places we used to hang out over ten years ago.

Close enough for jazz

During the 50/90 Challenge I had some pretty strict rules about the time I took to write and record songs. I had this one mostly finished when I got home, so I spent an hour or so tidying it up and finding a good middle 8. Then I ran up to the barn and grabbed a guitar.

In the 50/90 I always wrote the lyrics first (it’s usually more efficient – you avoid the drawn out jamming process), so I didn’t yet have any music. The chorus lyrics suggested a strong melody, so I used that. I probably spent about half an hour trying different verse progressions, and figuring out that it wasn’t going to work in 6/8. Two or three takes in front of a couple of microphones straight into ProTools, and it was mixed, bounced and uploaded in time for tea.

In my head, this song sounds like a Bryan Adams anthem in the chorus, an Elliott Smith tune in the verses, and Bon Jovi in the middle 8. Sometimes it’s a good idea to keep the recording basic. ;o)

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